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J U L E S  M A R S H A L L

Return to the Source or the Politics of
PLUR


First Born, the Grandfathers told,
had emerged from quivering mud to the rythmn of his own heart
and so man had known the true rythmn from the beginning.
Soon afterwards man had learned to use this rythmn for making song
and then certain ones had discovered the true power in song
the power for making spiritual contact.

Creation myth of the Dakota indians.


Sleeve note, RYTHMN IS RYTHMN, The Beginning (Kool Kat Records,
1990) 


Not content with using the drums to convey coded messages...
often of a subversive nature, the beat and rythums that mesmerise
the people and put them into a trance-like state, these drums are not
merely musical instruments, they are the real language through which
these people speak, a language alien and therefore threatening to us.
It would be foolhardy of us to ignore this threat.

Captain James Vaughan, assistant military attaché, Trinidad 1903.


 Sleeve note, THE DRUM CLUB, Drums are Dangerous (Butterfly Records,
1994)


Jules Marshall - Return to the Source or the Politics of PLUR - MM 8#4 - Title Page
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Last modified by ZZ on 26 june 1996