WILLEM VELTHOVEN
Editorial
The context of this issue is all of the issues which have come before it. Or perhaps everything that you're currently reading. Or perhaps everything that's currently on your mind. Or everything that you expect from Mediamatic?
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JORINDE SEYDEL & DIRK VAN WEELDEN
Lizareebiekoe Ahobschkoh
Today, most art still conforms to a cultural model in which the artist regulates his dealing with the historical and topical cultural environment by making public a form that is definitive and resists communication. |
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RICHARD ROGERS
Playing with Search Engines
Climate change is global: it occurs nowhere in particular and everywhere at once. The same could be said of the information supply about this ecological crisis. |
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JODI
OSS/****  |
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about the CD |
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STINE JENSEN (review)
VAN DIJK
Imagenation:Popular Images of Genetics
Cloning: a dream or a nightmare? Dolly or
Adolf? Anyone who ponders the future of cloning soon runs into
this century's most hackneyed nightmare vision: an army of cloned
little Hitlers. |
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MEDIAMATIC WORKSHOPS (advert)
Co-
interactivity for collective use
We will investigate the possibilities of designing collective environments in new media.
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GEERT J. STRENGHOLT (review)
TOOP
Ocean of Sound, Aethertalk. Ambient sound and imaginary worlds
Rainy day, somewhere in the early eighties. After spending an hour or so at Staalplaat, I returned home
with my catch of the day. |
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NOORTJE MARRES
Embrace Space
What happens when 'infinite possibilities' are your context? The infinite possibilities of technology or the infiniteness of empty space - outer space? In Embrace Space, it's NASA versus the underdog; limitless faith in technology versus paranoia about the limitless possibilities of deception |
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GISELLE DE OLIVEIRA  
Space Embrace
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NORBERT BOLZ  
The user-illusion of the world: on the meaning of design for the economy and society in the computer age
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NOEL DOUGLAS (web review)
FORK
Somewhere in the Fork
website it says, '100 ideas a second'. Now take all those ideas
and add the magic of some great experimental interface design
and a strong graphical sensibility. |
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NINA POPE (web review)
HYGEIA REVISITED
Some of the most successful recent art projects on the Web have
attempted to bridge the gap between a more traditional public
art 'audience' and a Web audience. |
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GEERT J STRENGHOLT (web review)
FABRIC8
Fabric8 set up a site that promotes and sells unique products from a variety of San Franciscan designers and artists. |
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GEERT J STRENGHOLT (web review)
COLORS
In the seven years of its printed existence,
Colors Magazine has established international renown. Positioning themselves as a global magazine on local cultures, it was only a matter of
time before they would make the move to the Internet. |
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GERALD VAN DER KAAP
013 The Automatic VJ Machine
KaapEngine v2.0
Automatic VJ Machine (or KaapEngine v2.0) is a commissioned work of art by Gerald van der Kaap, the godfather of veejays.
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NOEL DOUGLAS
SupUrmarket
What are the hidden histories of the commodities
that surround us? Can network technologies serve and defend the
public against private interest? We take a trip down to the SupUrmarket
and go Ur exploring for worlds that are pregnant with possibility,
just behind the barcode
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ARIE ALTENA (web review)
VOLUMEONE
Volumeoneis a quarterly webzine put together by the Brooklyn-based'visual communications studio' founded by Matt Owens. The purpose of this zine is to explore the new narrative possibilities of the World Wide Web and to find out how visual communication functions online. |
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